Coherent Narratives (in Life, friends, not here.)

Caution: This entry says nothing of consequence about anything of consequence. Things of substance, written somewhat coherently, are elsewhere; skip ahead or back if you want one of those. If you like your logic loose, loopy, and slapdash, read on.

...At any rate, Dominicans being everywhere does not mitigate the fact that the last place I would expect to find one in my blog is IN-in my blog, but it seems you can't escape them with anything near the sort of regularity and indeed predictability with which we routinely fail to bump into Cistercians at the Circle K (do Circle K's still exist? I used to buy my Now 'n' Laters there, and once got a Bit o' Honey with a mosquito half-embedded in the top), but Fr. Fones, of prudential-judgment-and-politics, whom/which you'll remember from a few posts back, left a lovely comment about one of my posts about poverty.

But that's not what I'm getting to. Although, if only more people would comment, that would be great. Although, 'more people commenting' does presuppose someone is reading, and I think that is where the whole idea sort of loses a bit of steam.

At any rate.

Unlike a journal entry or emails, I try to afford those nonexistent readers of my blog the courtesy not only of a concluding sentence, but often a good title, too, when something strikes me. This allows me to believe, by framing the post so nicely, that there is indeed a middle thus framed, leaving me free of guilt and able to carry on with outfit-coordination for another day.

However.

Dominicans were called sometimes, by some, in certain parts, the Black Friars, or the Blackfriars, due, unsurprisingly, to their wearing of a black outergarment. And Shakespeare's (well, partly Shakespeare's) Blackfriars Theatre in London is on the site of a 13th-century Dominican monastery which, after Henry VIII's dissolution of the monasteries in England, France, and Wales in the 16th century, had very few friars of any color left in it.

That fact notwithstanding.

I was trying to trying to come up with something vaguely amusing for the title here. Now, stepping up another century, the Black Robes were the Jesuits, the Sulpicians, and the Récollets in New France. But mostly the Jesuits. I could use 'black robe' if I gave it a twist. But I lacked a twist.

So at this point (in the naming of one stupid blog entry!) we have: Dominicans, Shakespeare, England, egomaniacal homicidal kings, Québec, Jesuits, and the color black. Which is a lot of things, but not much to work with. So I looked up stuff on the author of Black Robe, the Belfast native Brian Moore, who also wrote Judith Hearne, which became The Lonely Passion of Judith Hearne with Maggie Smith and Bob Hoskins, which I did not see and have nothing funny to say about.

But Black Robe also became a movie about two centuries after bad King Henry, when in 1991 it was directed by Bruce Beresford, who had previously directed Driving Miss Daisy, which is about slow driving and a slow-building relationship. Black Robe happily retained in film form many of the difficult moral issues of the book. And it had Lothaire Bluteau, of Jesus of Montréal fame, in the lead as Fr. Laforgue, whose deep faith leads him to great courage. It's one of my favorite films, and is at times unbearably beautiful and at others unbearably disturbing.

Which of course has nothing to do with Dominicans. Inconveniently.

However, it turns out that that when he died in 1999 (in Malibu, which is far, far away from Shakespeare and the Algonquins of either 1600s-Québec or 1920s-New-York-City type), Moore was working on a novel based on the life of Arthur Rimbaud, while in 1984 his screenplay for Simone de Beauvoir's (a thinky, ethical risking-her-life-for-the-good-of-others atheist if ever there were one) Le Sang des Autres, her novel about the French Resistance, was made into an American film by French director Claude Chabrol. And is said to be ungreat.

But to go back a century now, Arthur Rimbaud, while probably more anti-religion than either Mr. Moore or Mme. de Beauvoir, and not one to trouble himself overmuch with ethical problems - from gun-running (and some biographers say slave-running, as well) to stealing people's husbands - was, despite all that and his early death and even earlier renunciation of poetry-writing (at 20), one of the most influential poets in modern times.

Which brings us to me, as the stupid URL of this blog, oisive-vitesse (which only exists because I couldn't get vifargent) (who only has one post, by the way, from 2004), which is a very stupid pun on a very famous Rimbaud poem and also has to do with my driving style, which could very well be characterized (by a gentle person, charitable of heart and tolerant by nature) as 'relaxed,' or 'easy-going.'

The line I bastardized is from the poem 'La chanson de la plus haute tour,' and goes something like this:

'Oisive jeunesse
A tout asservie,
Par délicatesse
J'ai perdue ma vie.
Ah! Que le temps viennent
Où les coeurs s'éprennent.'

And likewise something like this:

'Idle youth
Enslaved to everything,
Through sensitivity
I have wasted my life.
Oh! Let the time come
When hearts open up.'

Which is ungraceful, but there you go. You get what you pay for. Anyway, 'oisive' means lazy, even though birds are anything but. Sort of like Canadian Smarties, which are no longer made by Rowntree and are basically sweeter M & M's, with nothing acidic or 'smarty' about them. And I'm not a lazy driver, but I'm sure it looks like either the car or I must be at times. Still, I have remembered this stanza always (I have no idea what the rest of the poem says) not just because I like the redemptive hope of the last line, not if such a time comes, but when (literally 'where,' but we'll not trouble ourselves excessively with that for now; the certainty holds either way), but also because it can seem sometimes that all our youthful passion for fifty thousand different things simultaneously could have been wasted.

I don't think it is. I think we take it with us. I think perhaps one has to reach a certain age to be able to look back and see just how shockingly coherent the narrative of our lives is. Maybe the aggregate of facts simply has to be large enough to let the pattern emerge. All my childhood obsessions I still have, if sometimes in mitigated form. All my tastes and predilections (except those for footed pjyamas and tea with sugar) remain about the same, with some accommodation for education and fine-tuning (I no longer want literally to live in a genie bottle; I'm content to hang a Moroccan lantern inside, and string some curtains around, my bateau ivre of a bed and call it done), and I'm most satisfied or content when I have some version of the things that made me happiest as a child and adolescent - down to the bottle full of buttons I spent countless hours sorting and resorting on my grandmother's floor. I don't think it's wasted; I think we just sometimes take too long to realize what it taught us about ourselves.

And to Think I Missed the 'Golden Girls' Marathon...

Eddie Izzard, Seattle, Paramount Theatre Review: Grrrrrrr.

I can't remember the last time I walked out of a show, and I have never before tonight had the misfortune of needing to walk out of a show I had been excited to see, but Eddie Izzard's performance, at least of the Seattle leg, in his 'Stripped' tour, was ghastly. Izzard normally does a lot of improv over a basic plan or outline. Here, it was as though there were no bullet points, no prior planning whatsoever, so there was nothing to improv about other than lazy references to past routines. Moreover, while it was indeed Eddie Izzard on the marquee, Eddie Izzard that I came to see, it was for Eddie Izzard performing comedy that I bought the tickets.

I realize this tour has had at times a grueling schedule, and that he has been on the road a long time. That means that the 'no bullet points' thing is not true; what is true is that instead he has had the same outline for too long, and he's sick of it, and it shows. It may have all been as brilliant as his past stuff when he started doing it months ago, but it felt like since he knew the funny bits too well he didn't bother getting to that point for the audience, as though we, too, should already know by what amusingly convoluted logic he was going to take us from Noah to ducks running the world. And since we knew, he didn't have to do the routine; he could just hint at it, and we would humor him, since he is Eddie Izzard doing Eddie Izzard.

But 'Eddie Izzard' isn't the funny bit, nor are inane and exhausting digressions or incoherent murmurings or referring obliquely to previous successful humor. The funny bit is Eddie Izzard being funny, integrating that rambling and making the journey to the point more entertaining than the point itself. In the same way I would feel cheated to have seen Charlie Parker or Edith Piaf come onstage and just 'be' Charlie Parker or Edith Piaf, it felt like Izzard was attempting little beyond pointing to himself and insisting, 'What? I'm effing Eddie Izzard! That's funny! I'm funny! Therefore my just being here should be good enough for you!' He had all the mannerisms of Eddie Izzard, all the energy, and the diction was spot on; what was lacking was the show.

Whatever. We had tasty Chinese food and good company in the International District after. And until I dropped a lipstick on my beige skirt and had to change in the car, I even looked undeniably 'summery.'

Don't Ask Me; Ask Google

What the?! I'm no. 2 on Google if you enter 'Lorca Thamar Amnon.' I mean, not that a great many people would enter 'Lorca Thamar Amnon' besides me, practically no one, really, and fewer still in English, in which nearly all the very, very few people wanting something with those three names would enter 'Lorca Tamar Amnon,' but I wanted to get back to that other site so I did, but with English as my default language. And found myself as well as the other guy. My entry also has 'sexuality' as a tag on Google somehow; maybe that's how you get to the heady heights of Number Two-ness.

Don't worry: despite my newfound fame, prestige, and power, I'm still the same simple country girl you've always known. And I will not let my smoldering search-engine sexuality overcome my good sense, either.

But what shoes, what shoes to wear to class tonight? They need to reflect such grand status, clearly, yet at the same time bespeak my unbesmirchable humility in the face of such worldly accolades. Perhaps the pointy pink slingbacks with the diminutive kitten heels? With a light taupe hose?

Have You Seen This Inner Child?

I blame it on the Beats. That is unsurprising if you know me, as I blame most of everything on the Beats, from unpremeditated 'poems' of testosterone-ridden admiration hastily scribbled on cardboard bar coasters, to white men in dreadlocks, to women in public in sweatpants, to shorts on adults, sneakers as shoes, Dockers as dining attire, sexagenarian playboys, and restaurant place settings without knives. I blame blogs on the Beats, for heavens' sake: they are evidence of the now pandemic delusion that everyone, anyone, can write -- and therefore, what's more, should. But at least we are not getting paid for our self-indulgent drivel. And it is not being forced upon anyone, as is sadly the case with barroom panegyrics and their unwitting subject/victim, as well as the sight and sound of long-haired middle-aged men in sportscars blaring Korn or Dave Matthews or some indefensible 1980s girl band from their convertibles.

Yet I digress. While all those symptoms and disorders share a common etiology, and while I could digress far more in innumerable concentric circles about all of it until I bored even myself, what they also have in common is what I wish to lament here: a renunciation of the Civility clause in our social contract, the subsection that stresses that your rights end where mine begin. Now, only an adult can understand that concept; an infant doesn't even know that he stops at any point, and a child has great difficulty seeing beyond his immediate desires and their quick satisfaction --much like the Beats, and their latter-day progeny unswerving in their resolve to 'let it all hang out,' 'chill,' 'listen to their inner children,' and 'find themselves.'

I for one have yet to wonder where, or who, I am. (At least in the sense they intend, and for other, more practical, senses I have GPS, and the invaluable Google Maps on the Blackberry, not to mention the nice officers who pull me over and ask if I know where I am going, which is something, even with the above, that I sometimes cannot answer affirmatively.) It used to be common wisdom that if one had questions about this, the answers were predictably to be found in a youth hostel in India or Western Europe at the age of 18 or 21. Those failing to encounter an integrated self by that time, and to choose an appropriate superego congruent with this self, were quite rightly deemed insane and offered antipsychotics at government clinics.

Now, of course, it's quite different. One can realize at 70 that there is a gaping hole where instead a Whole should be, of personality, tastes, goals, desires, values, and dreams. A void where for years all those components of a self, of a Gestalt, were ignorantly presumed to have been resident. And nobody gets medicated, or lobotomized, or ridiculed. Divorced, perhaps, but then marriage or 'heavy' relationships are just one more instance of the hand of the Man keeping a free spirit down. A free spirit who could instead be occupying himself with penning boozy free-form verses with a Sharpie over several months' worth of Chimay stains on paperboard about my felid eyes and porcelain cheeks and sangria lips of oranges and sunshine and the endless day and hair black as rainwashed Dougfir in the misty gloom of the blackblack forest gloom. Or something.

No, I encounter myself every day, whether I want to or not. I'm the only reason I have ten red suit jackets. I'm the only excuse for buying aspirin by the case and for putting ice cream into the refrigerator. I can look to no one else for a rationale for the absurd bed, or the driftwood arrangement by the bathtub, or the highly idiosyncratic wine selection, or the dying houseplants. It's down to me and me only that there are bottles of unfinished perfume around, miles of sari cloth, hairstyling products in the wine cabinet, and socks in the tinned-goods-organizer in the kitchen. It's me with the tailor on speed dial and the phobia of hairdressers, and me with the books under the covers on the passenger side of the bed. Everywhere I turn, ever since I had a sense that there was in fact a me to speak of, I haven't been able to get rid of her. Even when I look in the mirror, it is chilling how deep a resemblance my reflection has always borne to me, and me alone.

So I don't get it. How does one wake up, in the midst of being an adult and decades after crashing triumphantly past Piaget's goal line, to find that that the hole one so recently discovered is a hole with a shape that can only be filled with Burning Man, or rabbit hunting, or arena rock shows, or casual sex, or over-the-road trucking? Genuinely, it strains my mind. Additionally, what makes it all the more grievous is that the vast majority of such cases do not 'realize' they have 'always wanted' to join the seminary, or start an NGO; instead, their epiphanies as regards this previously missing 'self' tend to focus on the need to tend to the needs of that neglected self, not to others. This in its turn leads to a convenient discursive loop, as the neglected self, being neglected, is always presumed to be in some child state, if not the dread Inner Child itself, thus excusing all manner of base and self-indulgent, if not overtly puerile, pursuits.

Which is where the Beats and the Social Contract come in, if only out of convenience rather than painstaking logic, since I am becoming quite cranky with thinking of all this, and have a long week ahead in which I will have to muster my usual charming self repeatedly. The painstaking logic can come later, if I feel like the taking of pain might for some reason be pleasant at that point. For now, the Beats and their popular lionization, quite simply, are handy scapegoats for the existence of the near-ubiquitous reverence for the supposed virtues and, indeed, necessity (for the 'self,' of course) of a perverted, solipsistic, jejune freedom over the adult responsibility necessarily implied in acknowledging the worth of others around one, one's fellows in society. Acknowledging that we are a part of a group, and that the group consists of other individuals with their own desires and needs, perforce constrains behavior. If one can manage to accept that it's improper to murder members of this brotherhood, I fail to see it as a great cognitive leap to acknowledge as well that respecting them in other ways is in order.

And etiquette is nothing but respect and consideration for others. It is not about proving to (or lording over) others that one knows the proper utensils to use for jellied consommé or oysters or bacon; it is instead at base an attempt to create and foster an environment of mutual respect. In other words, I respect you by not sonically resembling in any way a giddy aye-aye with an egret's egg as I eat my consommé, and by not air-guitaring 'Stairway to Heaven' as you pray with your congregation and by not ruining the coming week for you by blasting inane 'dance music' out the opened windows of my Porsche or forcing you to witness the horror of my deformed toenails and crusty heels in 'flipflops' or a topographical map of my cellulite through mangy sweats because I was, yes, rude, that is the word, and so is immature and so is tiresome and so is inexcusable after the age of three and in my rudeness wore Inside Clothes outside because my Inner Child wanted to.

Perhaps at this point we are too far gone in our stoned and Xanaxed and liposucted solipsism for one to expect that we might credit our peers with having existences, wills, and souls of their own. But if we are intent on becoming children ourselves, it is not unreasonable to suggest that we put into our service that much-vaunted 'childlike imagination' we thus have again at our disposal and, for the purposes of sustaining an at least marginally livable world, pretend that they do and accordingly put behind us the stringy grey ponytails, the shorts when not on the water or holiday, the adolescent pop music, the sweat pants and track suits outside the gym, and, in the name of all that is holy, unsolicited spontaneous 'poetry' of any stripe.