And to Think I Missed the 'Golden Girls' Marathon...

Eddie Izzard, Seattle, Paramount Theatre Review: Grrrrrrr.

I can't remember the last time I walked out of a show, and I have never before tonight had the misfortune of needing to walk out of a show I had been excited to see, but Eddie Izzard's performance, at least of the Seattle leg, in his 'Stripped' tour, was ghastly. Izzard normally does a lot of improv over a basic plan or outline. Here, it was as though there were no bullet points, no prior planning whatsoever, so there was nothing to improv about other than lazy references to past routines. Moreover, while it was indeed Eddie Izzard on the marquee, Eddie Izzard that I came to see, it was for Eddie Izzard performing comedy that I bought the tickets.

I realize this tour has had at times a grueling schedule, and that he has been on the road a long time. That means that the 'no bullet points' thing is not true; what is true is that instead he has had the same outline for too long, and he's sick of it, and it shows. It may have all been as brilliant as his past stuff when he started doing it months ago, but it felt like since he knew the funny bits too well he didn't bother getting to that point for the audience, as though we, too, should already know by what amusingly convoluted logic he was going to take us from Noah to ducks running the world. And since we knew, he didn't have to do the routine; he could just hint at it, and we would humor him, since he is Eddie Izzard doing Eddie Izzard.

But 'Eddie Izzard' isn't the funny bit, nor are inane and exhausting digressions or incoherent murmurings or referring obliquely to previous successful humor. The funny bit is Eddie Izzard being funny, integrating that rambling and making the journey to the point more entertaining than the point itself. In the same way I would feel cheated to have seen Charlie Parker or Edith Piaf come onstage and just 'be' Charlie Parker or Edith Piaf, it felt like Izzard was attempting little beyond pointing to himself and insisting, 'What? I'm effing Eddie Izzard! That's funny! I'm funny! Therefore my just being here should be good enough for you!' He had all the mannerisms of Eddie Izzard, all the energy, and the diction was spot on; what was lacking was the show.

Whatever. We had tasty Chinese food and good company in the International District after. And until I dropped a lipstick on my beige skirt and had to change in the car, I even looked undeniably 'summery.'

Because Underneath ,You Feel Pure Permanence

I don't think most people know how to be in relationships. I don't believe most people are, in their hearts, really looking for something huge and overpowering, something not merely substantive, which is unusual enough itself, but transformative. Love can do that, can change us immeasurably for the better, but one has to be opened to it, one has to accept the vulnerability that is both a prerequisite and a consequent of real love.

And of course that is terrifying. It is totally unlike our normal interactions, which are based on suites of deliberately congruent, affected manners, dictions, postures, appearances, that correspond to and flesh out whatever role we are enacting in that context. This isn't base or even dishonest: on the one hand, we really do need the second cellist behaving like a cellist during the symphony and not a botanist or ironworker; and on the other, he really is a cellist, as evidenced by the presence of his chair in the pit and his bowing of the strings. That isn't disingenuous; it's getting the job done!

But maybe it is the difference between a Bach fugue and bebop. Precision, order, the beauty of the work found in its elegant mathematics, in its stolid girders, right angles and re-bar, in perfection of Form above all else, as against the piercing, unutterable glory that can come only from leap of faith compounded geometrically by subsequent leap after leap after leap -- all these being, not 'explored' in a self-indulgent descent into solipsism, and certainly not 'reconciled' or 'rescued' once the head reemerges --no, not at all, but bared, freed, radically embraced, and then transcended and born anew, via that selfsame melody that could always so easily enslave a pedant or fundamentalist.

So I think it's a big deal, Love. I have difficulty understanding shopping for it, I admit, and I get prickly thinking of the people who don't bother to reflect on it and its significance, especially when they do already, or could if they expended effort, live inside it. I think it takes work, yes, but so do wine and music and childbirth, and yet people keep doing those without saying Wait, I need some Time to Listen to 'Self' in the middle of a bloody solo or parturition.

When you are in love, when you cherish someone, you honor them. Love seeks one thing only: the good of the one loved. It leaves all the other secondary effects to take care of themselves. Love, therefore, is its own reward. According to Thomas Merton, at any rate, and I agree that Love is indeed that elegantly simple, and that boundlessly rewarding. Still, it requires effort, requires temperance; and that miraculous, supple, and overpowering solicitude born jointly of eros and agape can only exist where there is sufficient maturity, wisdom, and openheartedness to allow its first seeds to grow.

I think where that sort of genuine and mature love is present, there are lines not merely inconceivable, but impossible, to cross. It's quite easy to see why kvetching about 'never getting any' to your hot boss or flirty assistant is risky, but while it may not be a Gateway to Sin! in everyone's view to lament someone's weight gain, odd facial hair choice, lack of understanding, bad habits, or emotional issues to friends, it nevertheless creates a rift. It lets someone in where they shouldn't be, between the man and the woman. It also keeps those complaints or critiques closer to the front of your mind, even when it's just you two. Joe from the pool hall is right there, in bed with you, with his I-Hear-You-Man comments from yesterday about his wife's growing middle as you run your hands up your wife's now-size-40 hips.

We are conditioned that, to a certain extent, articulation makes it so. Nearly all of our experience is filtered, necessarily, through language. This is why people do affirmations. 'I am good. I am strong. I do not eat Snickers.' Imagine if instead of desperate, last-ditch efforts at 'I love my husband. I love my husband. I love my husband' we had the wife daily complaining to her girlfriends about his stutter, his pot belly, his skin condition, and his lack of sexual skill. And, as we all know, our friends can be relied upon to take our side in such things. It is rare indeed for one of these sort of confidants to interrogate the speaker, ask him why it is he would want to say such disrespectful things, what it is he is really feeling, whether he understands that speaking out of class like that is going to leak a poison in and keep all those things in his mind.

I cringe when I hear such things spoken by people in a relationship -- and we hear them all the time. If it is one on one, I at least have the liberty and the opportunity to ask the other sorts of questions, the sort that can go somewhere, the sort that can open the person's heart rather than seal it shut for good -- but so often people just spout this crap, and don't care who hears. And then someone else commiserates, and tells private details about his partner. And then I perhaps know more about the state of his relationship than his spouse does!

Meanwhile, I am course am thinking You bloody idiots: you have someone who loves you! I am not speaking here of abusive things, or of gambling addictions, or infidelity. Instead, it's stupid, quotidian annoyances, or habitual ways of doing things regarding which the individuals' tendencies and preferences are at odds. Or, of course, pot bellies, skin conditions, Comfortable Shoes, fatigue at sex-time, and, simply, two people who were once together, engaged now in building up separate lives, deliberately or indeliberately. After a certain point, the fissure is irreparable, and if not 'Man,' then surely man's ego, has rent the two solidly asunder.

I have a stance, as well, partly ethical, partly aesthetic, part pragmatic, and part just Healthy Living, that distills down to wait and see, I suppose. A few bucks lost here and there at the race track is not the same as the mortgage payment going to the bookie. An otherwise shockingly thoughtful anniversary gift ordered too late for timely arrival is not the same as spending that anniversary with another girl in a hotel room. And, again (this is the pragmatic angle, I suppose, mixed in with the ethical), if you spend all the time collecting notes on what is not perfect, that, my dear, is what is in your head. Not the moments of beauty, not the act of deep tenderness, but the why-didn't-he-X-when-I-felt-sure-he-would? And if you take all those to your friends, because they're all clustering around your brain making you sick because you chose to focus on them and now can't think of the other things, after your iteration of all his/her failings, what do you think they will say? What average friend ever counsels, Yes, but she's so.... Or, But those are trivial, and look what he does when.... Or, Work on it, work on it, work on it, and keep your love for that person always in your mind?

But perhaps that is what distinguishes Love and friendship. Friendship so often concerns itself with reinforcing the status quo, with affirming assumptions rather than challenging them, by 'supporting' the friend in the least difficult, most prosaic ways. Love, by contrast, keeps always one hand outstretched to the Divine and the other gently opened to the beauty to be found here. It is the turning of the Mevlevi, the name of God ceaselessly on the lips, each step and every breath a rupture and mediation between the ineffable and the temporal.
Love seeks alternately to veil and to transcend the less savoury aspects of what we see in this pathetic, finite moment, pointing always to the grander vision that lies beyond. It reaches, challenges, wounds, elates, soars. Love never disappoints, although it sometimes kills.

I know you touch so fervently because the caress preserves,/because the place you cover up, O tender ones,/doesn't disappear; because underneath, you feel/ pure permanence. Thus your embraces almost promise you eternity. -Rilke, Duino Elegies, 'Second Elegy'